This piece was a special one to do. The Beagle community is large and when a member loses one, others wish to mark that event. This was what led me to this drawing, Cuillin. I haven’t drawn such a light coloured beagle and it was nice to do, especially those big expressive eyes.
Usually, I draw the eyes last but recently I have taken to drawing the eyes in first when tackling the centre of the subject’s head, it seems to make it easier to curve the fur around the eye, as if the eye is the very centre of the fur and everything spirals out from there. It does make it more natural when starting that big body of fur in the centre.
I added some blue into to white fur as Cuillin’s reference photo was quite shadowed on one side of the face. It’s a brighter and more pleasing shadow than just greys.
And so the finished piece, which oddly, leans best to be seen from the side, it must be Cuillin’s beagle tilt –
So I have a lot of explaining to do. I have not posted in absolute months and for that I apologise. A very busy life and I lost my drawing mojo. I have been trying to get fit and working out regularly on top of a full-time job, kids, dog, yadda yadda yadda, I got exhausted and neglectful. But I have the luxury of working in a school and that means summer holidays which, in turn, means I can catch up again and get back into the drawing groove.
But first I need to give you some closure in the Beagle Smoosh which I finished and sent to the owner of the lovely Dandy and Beano. Here’s the progress shots-
I absolutely loved doing this piece. Not only was it for the loveliest of all beagle lovers, but drawing all the folds and shadows of those velvety doggies was just a dream. And here’s the finished piece –
It’s been a while but I have been working on a piece – it won’t come as any surprise that it’s of a beagle. Actually, it’s 2 beagles – SURPRISE! A veritable beagle smoosh. I am using the smooth side of Mi-Tientes and Faber-Castell Polychromos for this piece and I don’t know what kind of good fortune has befallen me, but I have discovered that this is the absolutely best combination of paper+pencils+my style that I have ever come across. It’s bliss and is working out fabulously well. So much so that I may have to trim down my coloured pencil and paper collection – what’s the point of having such a collection now?
Anyway, here’s where I started. I can’t show where I am until the piece is complete and given to the owner.
While I am using Polychromos, I am using a white Prisma pencil for the really white bits of fur and granted, I moan a lot about Prismas, but this is one pencil that has lasted till the bitter end –
That really is the last few millimetres of the pencil. I stopped using it because I couldn’t sharpen it anymore, it was just spinning in the pencil extender.
Anyway, hopefully I’ll have an update soon.
Posted in Animals, Coloured Pencils, Pet Portraits
Tagged beagle drawing, beagle painting, beagle portrait, dog, dog fur, dog portrait, dog portrait in coloured pencil, Faber-Castell Polychromos, Mi-Tientes, Mi-Tientes pastel paper
No, not a new breed of beagle but my first beagle in pastel pencil. Because I took so long to finish Paula’s portrait of Max that she won the auction for (blame holidays and a horsefly), I decided to draw a second portrait of the lovely Max for her but in pastel, so that she had something different.
I used Clairefontaine pastelmat (which I loved) and various pastel pencils, namely Derwent, Faber-Castel Pitt and some others.
Pastels are much quicker than coloured pencils and you can easily draw light over darks. Blending is a lot of fun too. I really enjoyed this experience and am looking forward to trying some more pastel works.
Thank you to Paula for donating to Beagle Welfare to secure this pet portrait. Thank you to Gary Clacher for kind use of his reference photo. And thank you to Max for being so gorgeous!
Posted in Uncategorized
Tagged beagle, beagle drawing, beagle painting, dog portrait, fur, Mi-Tientes, Mi-Tientes pastel paper, pet portrait, prismacolor, Prismacolors, prismas
I mentioned a while back that I donated a pet portrait to the Beagle Welfare fun day and that a gorgeous beagle called Max won. Well, Paula his owner did, but I got to draw Max. Paula didn’t want to see the updates until the picture was done and received. So, because I like to tease, here are the first of the updates:
I used grey Mi-Tientes paper and Prismas. Paula provided a lovely selection of reference photos, but we felt that this one was the right choice. Adding in the little blades of green grass that Max sat in provided a nice contrast to the oranges of Max’s beagle fur.
Max’s reference photo was taken and kindly permitted for use by Gary Clacher. Gary attends most beagle outings and takes fantastic photos of all the beagles. Credit and thanks to Gary for a great reference.
I haven’t used this paper yet so am unqualified to give a full review of it. But I will tell you why I bought it. I dislike the favourite standard paper of coloured pencils artists – Stonehenge. It’s too soft, sucks in pigment, makes lines fuzzy and blurred. So I tend to stick to Mi-Tientes which I love. It’s hard-wearing and stubborn – much like myself. But sometimes it’s texture isn’t what I need.
It is very white and very smooth. It reminds me very much of the smooth watercolour paper that Derwent produce, so I have high hopes.
One coloured pencil artist whom I admire greatly, Alan Woollet, uses this paper almost exclusively with Faber-Castell Polychromos and he gets fantastic results. So I thought I would take a chance. It’s expensive – I paid around £34 for this pad – but I hope it works as well with me.
While I have beginning a relationship with pastels, I have been watching a few YouTube videos of the pastel artist Colin Bradley and I noticed that he uses Fabriano Ingres pastel paper, so I thought I would get some.
On a certain jungle-y internet retailer, you can get 50 sheets of 160gsm, 35 x 50cm sheets for around £20.00 – which surely is the bargain of the year? I chose to get grey as I do most of my drawing on grey paper. Colin Bradley tends to use sand coloured Ingres but that’s too warm for my tastes. Grey is a great neutral, but neutral with an edge.
It is a nice paper and while I can’t give you a complete review having not used it yet, I can tell that I will like it – even for coloured pencil. It is quite like Mi-Tientes but instead of the waffle texture there is a subtler, rectangular, grid-like texture. It’s smoother too yet robust enough to deal with my heavy hand. And luckily I have plenty to play with!
Moleskine has turned to the dark side and I approve.
They have released some black paper sketchbooks that come in the landscape version I have, A4 and the smaller sketchbook. The paper in them is very matt black and very smooth. Curiously, mine (and I presume all) comes with black corrugated paper at each end to help keep its shape. This is loose so can be removed. The little envelope at the end is also black. I see a lot of buyers are using them to make little photo albums which is actually a very cute and nice way to use them. I plan to use it for sketches using white and silvers. It’s a very lovely addition to the Moleskine range that we all love so dearly.